Frequently Asked Questions

No. Most professional writers won’t even touch a script unless it’s submitted through proper channels. (Agents, managers, studio execs, etc.) This provides us a layer of protection so that we don't get accused of stealing someone's idea. By the way, we don’t need to steal your talking dog show idea. We have a shoe box full of talking dog show ideas that no one wants. If you send me an unsolicited script, I will return it back to you without even opening the envelope. Same goes for unsolicited brownies.

First of all, stop saying “awesome,” it makes you sound like a ten year old. (If you happen to be a five year old, keep saying it. It makes you sound mature.) Secondly, it sounds like the job you want is “boss.” You know, where you get to order people around without actually doing the work yourself. I want that job too.

Every working writer has a hundred ideas for TV shows. The hard truth is, working writers don’t need your idea. They need big name talent attached, or a powerful producer, or the rights to a best selling book. Moreover, when a network buys a TV show from a writer, they’re not just buying the concept. They want the show to last 10, 20, or even 200 episodes. So they’re trusting that the writer has the experience to deliver that. Unfortunately, you need to bring more to the table than just an idea.

Look dude, I’m just telling you the hard truth. If you prefer to immerse yourself in fantasy, start following some Instagrammers. #BestLife

Back in the day, I broke in as a production assistant. It was low paying grunt work, but at least I was exposed to working writers, and was able to learn from them.

Today, the barrier to entry is much lower. You can shoot a video on your phone and post it to YouTube. Build a following, and soon Hollywood will be reaching out to you! I’ve been involved in a number of projects where a studio discovered someone this way, and brought me and my writing partner on board to shepherd it.

Welcome to Hollywood. In fairness to Hollywood, you may not have a firm grasp on the definition of “sell.” When you sell something, it’s no longer yours. That’s like saying, “I want to sell my car, but I’m worried the new owner will paint it blue.” It’s their car now, they can paint it whatever color they damn well please.

Most networks or studios will assure you that they don’t want to mess with the creative vision of your beautifully written courtroom drama. And they may very well mean it. But the minute the boss tells them to cast a talking elephant in the show, you can bet your ass Lieutenant Dumbo is going to take the stand. He'll offer his long-winded testimony, the judge will admonish him to keep it brief, then the elephant will say, "I apologize, your Honor. Here's the trunk-ated version." The editor will crank up the laugh track and you'll rant and rave about how awful Hollywood is. But you didn't seem to have a problem with Hollywood when you cashed the check.

Actually, I have two email lists. One list is to receive free personal essays from me. I post a new one every two months or so. At some point, I may have something important to announce. Most likely, I’ll be doing this via email. But there's a chance I'll be announcing via carrier pigeons launched from the rooftop of a Victorian mansion in 19th century London. If you live within a 20 miles radius, don't look up that day.

The other list is to learn more about my online screenwriting course. You can sign up for that list here.

And what if you don't want these emails anymore? You can unsubscribe whenever you want.

The moment your payment was processed, you were taken to an order confirmation page with a big orange tab on it that says "Start Here." We also emailed you a receipt with a link. If you're on Gmail, it's possible that it went straight to your promotions tab. Gmail is nasty like that. It's short for "Gee, where's my mail?"

In any case, just go to michaeljamin.com and login. Reset your password and you're good to go. Aside from a few worksheet downloads, the entire video course is online.